"Frontrunner" follows the presidential campaign of Dr. Massouda Jalal, a woman who ran in the 2004 Afghanistan presidential election. The film moves from her impressive performance in the 2002 interim presidental election through her 2004 campaign. Jalal entered a heated political environment emerging from Taliban rule, and seeing the struggles and successes of her campaign was fascinating as an outsider.

While this subject was fascinating, the film itself was a bit disappointing. I just don't believe there was enough meat for this to be a 90-minute feature film. Sometimes, instead of using other techniques to communicate some of the periods of waiting, the film just showed the waiting. This might have been fine once or twice, but it felt overused in this film. I also would have liked to see more interviews with the public, both her supporters and her detractors.

This wasn't a bad film, but I think it may have been better as a 60-minute PBS special (or if it had had more of the public voice).

"The Greening of Southie" documents the construction and design of the Macallen building in South Boston. Macallen is Boston's first residential "green" building, and the goal in desigining it was to achieve LEED "Gold" certification. The film begins with the foreman briefing the crew on day one and continues through the first residents moving in.

This was a pretty well-paced film, and took time to explain how the LEED point system worked and how several design decisions effected the score. Not only were the design and construction phases shown, but the film also travels to the source of many of the materials, many of which were local to New England, as LEED emphasizes local materials.

One of the things which struck me about this film was how the construction workers reacted to the green mission of this building. Some were skeptical, some embraced it, and others simply didn't care one way or another. Most seemed to acknowledge that green methodologies and design would likely continue to effect their work moving forward. It is in these interviews where the film finds its heart.

This film is airing occasionally on Sundance, so if you are interested in green building or just want to see a solid documentary with great interviews, check it out.

"Nerdcore Rising" is a documentary following the first national tour of the Godfather of so-called "Nerdcore Rap", Damian Hess, a.k.a. MC Frontalot, and his band. Featuring interviews with figures such as Prince Paul, "Weird Al" Yankovic, and Jello Biafra, this film spends some time upfront explaining and justifying Nerdcore as a genre. From the beginning I was skeptical, and honestly, I'm not exactly sure when a genre becomes 'real'. In fact, I suspect some of the musicians themselves are equally skeptical of the label, but I guess in modern marketing, everything needs a classification.

Frontalot's songs lean towards the witty and clever, but as Prince Paul points out at one point, originally rap was about clever rhymes and outsmarting your fellow MCs. Their tour resembles many bands first tours, playing to sparse clubs, but computer nerds tend to be loyal to their own, and there always seemed to be someone at each show who knew the songs. There is a solid mix of live footage with backstage/van interviews, as well as with other musicians and comedians.

I'm still not sold on the viability of Nerdcore in general, but that doesn't really hurt the film. Frontalot is charming if awkward, and his band is a pretty fun funk unit. They are an amusing lot on and off the stage, and this film does a great job of presenting it's story.

"Big Man Japan" is a faux-documentary which follows a year in the life of the current "Big Man Japan", Masaru Daisatou. Japan has employed a members of Masaru's family for several generations as the first line of defense against the plague of giant monsters attacking Japan on a regular basis. Through a process involving an electrical substation, Masaru's size is increased until he is towering over tall buildings. Unfortunately, while Masaru's predecessors were treated like heroes, Masaru is practically discarded.

The special effects in this movie aren't great, but neither were the rubber suits they are replacing. The movie isn't quite logical, but it's fun. The various monsters that Masaru has to battle are hilarious, and the "data sheets" that appear before the battles are great as well. Masaru is greeted by the public with indifference at best, and he seems to exist outside of society. The ending ups the nonsense level to 11 and leaves you wondering if you were actually supposed to understand what was going on.

This movie isn't for everyone, but if you enjoyed Toho-style monster movies, you should definitely be entertained. Even if you are annoyed by the ending, the time leading up to it is full of gems. This isn't a movie you need to hunt down, but when it's available on Netflix, give it a spin.

"Second Skin" is a documentary focusing on gamers who play Massively Multiplayer Online Roleplaying Games (MMORPGs). It follows a few small groups of gamers distributed around the country, all playing either World of Warcraft (WoW) or Everquest II (EQ2). All are rather committed to their games, some consider themselves addicted, with one entering himself into a 12-step program to try and break is addiction

Given how easily these subjects could have been played for laughs, I felt this movie was surprisingly even-handed. There were clearly some moments where humor was at the expense of the subjects, but they were few and far between. It was suprising in the Q&A with the filmmakers after the screening that the first question was basically a complaint that the film showed gamers in a negative light. It seemed clear to me that this person was just bringing their own baggage to the event.

That's not to say that the movie didn't have it's flaws. The "storylines" of the various sets of subjects were intercut, and at times it was difficult to keep track of the relationships and who the various players were. I also would have liked to see more information about the rehab facility. The woman who ran the facility seemed to have a very negative opinion of gamers, accusing them of feigned helplessness and laziness. She didn't strike me as emitting the kind of energy that someone in recovery really needs. And as far as I can tell from the film, her only accreditation is that her son was an addicted gamer. The film presented her as a very negative character, and I wonder how true that is.

Online gamers are often dismissed as anti-social losers, but this look into the lives of gamers and the relationships built between them is an interesting counterpoint to conventional wisdom.

The Independent Film Festival of Boston opened yesterday at the Somerville Theatre with the new Brad Anderson film "Transsiberian". Anderson has a pretty good record so far, with Next Stop Wonderland, Session 9, and The Machinist, so I was rather excited to see his new work.

Transsiberian follows Jessie (Emily Mortimer) and Roy (Woody Harrelson) as they return from an aid mission in China. Roy, as a huge train nerd, wants to take his wife on a bit of an adventure, so they take the Transsiberian railway from China to Moscow. They share a cabin with Carlos (Eduardo Noriega) and Abby (Kate Mara), a couple who appears to have some secrets. As you may guess, some bad things ensue during this week-long journey.

The previous paragraph sounds makes this film sound cookie-cutter, but I'm happy to report that every time I felt I had the movie figured out it threw me a great curve ball. There were times where I felt the pace bog down a bit, but just as I started to think about it I would get surprised by a twist. These twists didn't feel contrived, they weren't bricks over the head, they were subtle surprises that drew you further into the story.

The movie wasn't perfect, but it was really good. Mortimer was clearly the star, and she delivered a fantastic performance. The supporting actors were all solid as well, although Harrelson's character was more of a caricature, being the comic relief in a rather serious film.. Unfortunately, his levity felt shoehorned in at times... When the film ended, my first instinct was that it needed about 10 minutes trimmed, but I think this was a kneejerk reaction. In all reality, if it weren't for the moments of feeling slightly bogged down, I don't think the payoff of the twists would have felt as special.

After the film, the director, co-writer, and Sir Ben Kingsley himself did a very nice Q&A session, even in the face of some rather rude audience members who were talking over them and getting up and leaving en masse mid sentence. But the three of them gave pretty good, considered answers to all of the questions asked.

• Wednesday, April 23rd
• 7:30pm - "Transsiberian" - Somerville Theatre
• Friday, April 25th
• 6:45pm - "Second Skin" - Somerville Theatre
• 9:30pm - "Big Man Japan" - Somerville Theatre
• Midnight - "Nerdcore Rising" - Somerville Theatre
• Saturday, April 26th
• 1:00pm - "Greening of Southie" - Somerville Theatre
• 2:30pm - "Frontrunner" - Somerville Theatre
• 4:00pm - "We Are Wizards" - Somerville Theatre
• 7:45pm - "Turn the River" - Somerville Theatre
• 11:30pm - "Beaver Trilogy" - Somerville Theatre
• Sunday, April 27th
• 12:00pm - "Crawford" - Brattle Theatre
• 2:30pm - "Jump" - Somerville Theatre
• 7:00pm - "Mongol" - SNFC - Coolidge Corner Theatre
• 10:00pm - "Time Crimes" - Coolidge Corner Theatre
• Monday, April 28th
• 8:00pm - "My Winnepeg" - Coolidge Corner Theatre
• Tuesday, April 29th
• 8:00pm - "Encounters at the End of the World" - Coolidge Corner Theatre